White Noises
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White Noises

Experimental music and how to make it

 
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Gregory White is an experimental electronic musician working between Ottawa (CA) and London (UK).

With White Noises, Greg aims to broaden the awareness and understanding of experimental music and modular synthesisers. These topics are made approachable through tutorial videos on the White Noises YouTube channel and his personal Instagram account.

In the process he hopes to help build a passionate and inclusive community of musicians who are as excited about sharing knowledge as they are about making music.

He also releases his own personal music on Bandcamp, ranging from dreamy atmospheres and joyful melodies to distorted pulsing rhythms.

You can find out more about Greg and his other projects at www.gregory-white.co.uk.

 

VIDEOS

 

Watch more videos on YouTube.

 

MUSIC RELEASES

 

LISTEN AND DOWNLOAD ON BANDCAMP.

Exploring how to perform graphic score of sheep bells and vocalisations, and church bells from @camp_fr residency. @drumtortillas
Scoring sunrise from @k__lc ‘s workshop at @camp_fr 🌄✍🏻 1+2. Score of sheep bells and vocalisations, and church bells. 3. Score of sunrise. 4. Score of birdsong. Notes for score of sheep bells and vocalisations, and church bells: There is an inherent impossibility in this task — you cannot notate every bell hit. Therefore the act of scoring becomes an act of filtering, a personal record of a journey through cacophony. The act of scoring these sounds is limited by the human body and mind. Different symbols represent different sounds, but the ability to remember what sound is represented by which symbol, if a symbol already exists for a sound, breaks down. Also the physical act of writing with pencil in the cold over an extended period means motor function deteriorated and scoring (both keeping up with the pace of the sounds and rendering them) becomes more difficult. These physical and mental limitations mean the score is a constantly shifting interpretation, and wholly inaccurate. Again, it becomes a record of a personal experience. The process of performing the score will be a similar experience; it is impossible to accurately translate all of the visual markings with consistency, remembering how each distinct mark is represented sonically (at least without the aid of a computer). The same / similar mental and physical limitations apply. Therefore the performance is another layer of filtering and interpretation, of visual cacophony.
Deepest gratitude to everyone at @camp_fr for such a restorative and inspiring week. These moments of creativity and community are what make life exceptional. Hope to see you soon and excited for what we will all create out of this shared experience 💠♾🌐
As if the magnificent Nest installation wasn’t enough, @marshmallowlaserfeast also have a phenomenal VR experience at the Sacchi gallery called Ocean of Air, taking you into a sequoia forest. You don’t want to miss this!!
New synth.

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